【maya教程】后末日游戏环境 – 深度教程课程_CGART

【maya教程】后末日游戏环境 – 深度教程课程_CGART-橙光艺术网
282【maya教程】后末日游戏环境 – 深度教程课程_CGART
【maya教程】282【maya教程】后末日游戏环境 – 深度教程课程_CGART
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282【maya教程】后末日游戏环境 – 深度教程课程图片[1]-【maya教程】后末日游戏环境 – 深度教程课程_CGART-橙光艺术网【maya教程】Post-Apocalyptic Game Environment – In-Depth Tutorial Course

Duration 21h Project Files Included MP4
Post-Apocalyptic Game Environment – In-Depth Tutorial Course
Info:
What you’ll learn
How to create modular assets in a smart way to create large environments with little work.
How to create procedural materials and decals to cover a large range of variation.
How to create foliage for games.
How to do environment level art, composition and lighting.
How to think like an environment artist.
Post-Apocalyptic Game Environment – In-Depth Tutorial Course
Learn how a professional environment artist works when creating environments for games. You’ll learn techniques like Modular Modeling, Procedural Texturing, Unique Texturing, Decal Creation, Composition, Level Art, Lighting – and much more!
MAYA, SUBSTANCE AND UNREAL ENGINE
All the modeling will be done in Maya, However, the techniques used are universal and can be replicated in any other 3d modeling package. The materials will be created using Substance Designer and Substance Painter, and they will be previewed in marmoset toolbag 4. The foliage will be created using a combination of Maya and Speedtree and the level will be built in Unreal Engine 4.
In this course, you will learn everything you need to know to create the final results that you see in the images and trailers. Next to this, the same techniques can be applied to almost any type of environment.
21 HOURS!
This course contains over 21 hours of content – You can follow along with every single step – The course does inclose a few small time lapses, this is just to speed up very repetitive tasks, the rest is done in real-time.
We will start by creating our blockout to make sure our modular pieces work and that the composition is correct. We will then turn these into final assets. Along with the final assets, we will create our procedural materials and unique textures. We will bring it all together in UE4 and start creating and placing our decals. we will finish things off with our first lighting pass and then draw focus to our foliage. where we will use Speedtree and Maya to create multiple types of foliage. We will bring the foliage in Unreal and place it, add general improvements to our scene and paint our terrain. Finally, we will finish off with some bonus chapters on how to use Megascans to push your level even more.
SKILL LEVEL
This game art tutorial is perfect for students who have some familiarity with a 3d Modeling tool like Maya, Substance Designer/Painter, Speedtree, and Unreal Engine 4– Everything in this tutorial will be explained in detail. However, if you have never touched any modeling or texturing tools before we recommend that you first watch an introduction tutorial of those programs (you can find many of these for free on Youtube or paid on this very website)
TOOLS USED
Maya 2020
Substance Designer and Substance Painter
Speedtree For UE4
Unreal Engine 4
Marmoset Toolbag 4
Photoshop橙光艺术网-(CGART.net)

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